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Horror Films: 1970-1979 - Page 37

Expanded from Phil Hardy, ed., with Tom Milne, Kim Newman, Julian Petley, Tim Pulleine, Paul Willemen. The Overlook Film Encyclopedia: Horror. Woodstock, NY: The Overlook Press, 1995. The authors see the trend of high-budget horror films in the wake of Rosemary's Baby, along with extremely low-budget schlock, but finding little qualitative difference, particularly in grisliness, apart from prestigious actors appearing in big-budgeters, and usually with shallow religious themes compared to a film like La Casa dalle Finestre che Ridono. They also find that it's the most conservative films, such as Más Alla del Terror, that have the most sensationalist and gruesome violence to fuel censorship lobbies. They note the influence of Hitchcock's Psycho but see his imitator William Castle as having more influence on Argento, as well as down-market ghoul films inspired by Romero, and consider the most original films to be rural gothics like The Hills Have Eyes and The Texas Chain Saw Massacre.
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1441
Thirst (1979)
Thirst (1979)
1442
Aunt Alejandra (1979)
Aunt Alejandra (1979)
1443
Female Imp (1979)
Female Imp (1979)
1444
Vampire (1979)
Vampire (1979)
1445
Up From the Depths (1979)
Up From the Depths (1979)
1446
When a Stranger Calls (1979)
When a Stranger Calls (1979)
1447
Weasels Rip My Flesh (1979)
Weasels Rip My Flesh (1979)
1448
Wolfman (1979)
Wolfman (1979)
1449
The World of Dracula (1979)
The World of Dracula (1979)
1450
Return of the Dead (1979)
Return of the Dead (1979)
1451
Demon Pond (1979)
Demon Pond (1979)
1452
House of the Lute (1980)
House of the Lute (1980)
1453
Zombie (1979)
Zombie (1979)
1454
Zombie Holocaust (1980)
Zombie Holocaust (1980)
1455
Zoom Up: Rape Site (1979)
Zoom Up: Rape Site (1979)
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