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Horror Films: 1970-1979 - Page 17

Expanded from Phil Hardy, ed., with Tom Milne, Kim Newman, Julian Petley, Tim Pulleine, Paul Willemen. The Overlook Film Encyclopedia: Horror. Woodstock, NY: The Overlook Press, 1995. The authors see the trend of high-budget horror films in the wake of Rosemary's Baby, along with extremely low-budget schlock, but finding little qualitative difference, particularly in grisliness, apart from prestigious actors appearing in big-budgeters, and usually with shallow religious themes compared to a film like La Casa dalle Finestre che Ridono. They also find that it's the most conservative films, such as Más Alla del Terror, that have the most sensationalist and gruesome violence to fuel censorship lobbies. They note the influence of Hitchcock's Psycho but see his imitator William Castle as having more influence on Argento, as well as down-market ghoul films inspired by Romero, and consider the most original films to be rural gothics like The Hills Have Eyes and The Texas Chain Saw Massacre.
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641
The Wednesday Children (1973)
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642
Welcome to Arrow Beach (1974)
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643
The Werewolf of Washington (1973)
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644
Westworld (1973)
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645
Wicked, Wicked (1973)
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646
The Wicker Man (1973)
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647
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648
A Resented Woman (1973)
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649
Tenderness of the Wolves (1973)
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650
Abby (1974)
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651
Act of Vengeance (1974)
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652
Evil Spirit (1974)
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653
All the Kind Strangers (1974)
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654
Lover of the Monster (1974)
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655
O Anjo Da Noite (1974)
O Anjo Da Noite (1974)
656
The Antichrist (1974)
The Antichrist (1974)
657
Killing of the Dolls (1975)
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658
The Killer Reserved Nine Seats (1974)
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659
The Kiss of Death (1974)
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660
Kiss of a Dead Woman (1974)
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661
Bad Ronald (1974)
Bad Ronald (1974)
662
The Bat People (1974)
The Bat People (1974)
663
The Beast Must Die (1974)
The Beast Must Die (1974)
664
A Beautiful Killing (1974)
A Beautiful Killing (1974)
665
Bhoot Mera Saathi (1973)
Bhoot Mera Saathi (1973)
666
Black Christmas (1974)
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667
Black Mamba (1974)
Black Mamba (1974)
668
Blood (1974)
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669
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670
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671
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672
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673
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674
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675
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677
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679
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