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The Modern American Novel 1900–1950 - Page 3

These are the great majority of the books discussed in "A Companion to the Modern American Novel 1900–1950" (John T. Matthews, 2009). Alphabetical by author's surname.
As will become obvious, not all the books were actually published in the stated period, thus suggesting they influenced works or were influenced by works in that era.
Does the following, spoken by a Hollywood producer, seem familiar? From Samuel Merwin's Hattie of Hollywood (1922).
'"Now, my dear," he said, taking her hand and playing with her soft little fingers as he
spoke, "you and I had better understand each other right at the start. If you'll do exactly
as I say – place yourself unquestioningly in my hands – I will make you. If you won't,
I can't help you."'
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Page 3 of 5
81
The Sun Also Rises (Ernest Hemingway)
The Sun Also Rises (Ernest Hemingway)
82
The Friends of Eddie Coyle
The Friends of Eddie Coyle
83
The Price of Salt (Patricia Highsmith)
The Price of Salt (Patricia Highsmith)
84
For Love of Immabelle (Chester Himes)
For Love of Immabelle (Chester Himes)
85
Hagar's Daughter (Pualine Elizabeth Hopkins)
Hagar's Daughter (Pualine Elizabeth Hopkins)
86
A Hazard of New Fortunes
A Hazard of New Fortunes
87
A Modern Instance
A Modern Instance
88
The Rise of Silas Lapham (William Dean Howells)
The Rise of Silas Lapham (William Dean Howells)
89
Souls for Sale (Rupert Hughes)
Souls for Sale (Rupert Hughes)
90
Their Eyes Were Watching God (Zora Neale Hurston)
Their Eyes Were Watching God (Zora Neale Hurston)
91
The Ambassadors (Henry James)
The Ambassadors (Henry James)
92
The American (Henry James)
The American (Henry James)
93
The Bostonians (Henry James)
The Bostonians (Henry James)
94
The Golden Bowl (Henry James)
The Golden Bowl (Henry James)
95
In the Cage (Henry James)
In the Cage (Henry James)
96
The Portrait of a Lady (Henry James)
The Portrait of a Lady (Henry James)
97
The Sacred Fount (Henry James)
The Sacred Fount (Henry James)
98
The Wings of the Dove (Henry James)
The Wings of the Dove (Henry James)
99
What Maisie Knew (Henry James)
What Maisie Knew (Henry James)
100
The Principles of Psychology (William James)
The Principles of Psychology (William James)
101
A Country Doctor (Sarah Orne Jewett)
A Country Doctor (Sarah Orne Jewett)
102
The Country of the Pointed Firs (Sarah Orne Jewett)
The Country of the Pointed Firs (Sarah Orne Jewett)
103
Deephaven (Sarah Orne Jewett)
Deephaven (Sarah Orne Jewett)
104
Obasan (Joy Kogawa)
Obasan (Joy Kogawa)
105
Passing (Nella Larsen)
Passing (Nella Larsen)
106
Quicksand
Quicksand
107
The Hot Kid (Elmore Leonard)
The Hot Kid (Elmore Leonard)
108
Main Street (Sinclair Lewis)
Main Street (Sinclair Lewis)
109
Martin Eden (Jack London)
Martin Eden (Jack London)
110
Gentlemen Prefer Blondes (Anita Loos)
Gentlemen Prefer Blondes (Anita Loos)
111
But Gentlemen Marry Brunettes (Anita Loos)
But Gentlemen Marry Brunettes (Anita Loos)
112
Reckless Hollywood (Haynes Lubou)
Reckless Hollywood (Haynes Lubou)
113
The Galton Case (Ross MacDonald)
The Galton Case (Ross MacDonald)
114
The Age of the American Novel (Claude-Edmonde Magny)
The Age of the American Novel (Claude-Edmonde Magny)
115
Minnie Flynn (Frances Marion)
Minnie Flynn (Frances Marion)
116
Sundown (John Joseph Mathews)
Sundown (John Joseph Mathews)
117
Wah'kon-Tah: The Osage and the White Man's Road (John Joseph Mathews)
Wah'kon-Tah: The Osage and the White Man's Road (John Joseph Mathews)
118
I Should Have Stayed Home (Horace McCoy)
I Should Have Stayed Home (Horace McCoy)
119
Kiss Tomorrow Goodbye (Horace McCoy)
Kiss Tomorrow Goodbye (Horace McCoy)
120
They Shoot Horses, Don't They? (Horace McCoy)
They Shoot Horses, Don't They? (Horace McCoy)
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