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Slant Magazine's 100 Best Films of the Aughts - Page 3

To tidily summarize a decade in world cinema is to attempt the impossible, yet if there's one overriding theme of Slant's Top 100 of the aughts, it's that despite a mainstream movie culture dedicated to increasingly expensive, techno-enabled infantilism, auteurist artistry and genre craftsmanship remain vital filmmaking avenues. Between the proliferation of cheap digital tools and the rise of non-theatrical distribution channels, small-scale idiosyncratic works have grown in number even as they've been crowded out of the general consciousness by Happy Meal-tie-in tent-pole series that have now become the major studios' primary means of revenue generation. Which is to say, James Cameron and Michael Bay are still the real kings of the filmic world, proffering easily digestible large-scale popcorn to a youth-driven mass audience that craves spectacle over all else.
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81
WALL·E (2008)
WALL·E (2008)
82
Gosford Park (2001)
Gosford Park (2001)
83
Boarding Gate (2007)
Boarding Gate (2007)
84
Russian Ark (2002)
Russian Ark (2002)
85
Big Fish (2003)
Big Fish (2003)
86
Eternal Sunshine of the Spotless Mind (2004)
Eternal Sunshine of the Spotless Mind (2004)
87
Wendy and Lucy (2008)
Wendy and Lucy (2008)
88
Late Marriage (2001)
Late Marriage (2001)
89
Gabrielle (2005)
Gabrielle (2005)
90
Revanche (2008)
Revanche (2008)
91
Intimacy (2001)
Intimacy (2001)
92
Forty Shades of Blue (2005)
Forty Shades of Blue (2005)
93
House of Flying Daggers (2004)
House of Flying Daggers (2004)
94
Grizzly Man (2005)
Grizzly Man (2005)
95
Little Otik (2001)
Little Otik (2001)
96
Birth (2004)
Birth (2004)
97
The Fountain (2006)
The Fountain (2006)
98
Café Lumière (2004)
Café Lumière (2004)
99
Time Out (2001)
Time Out (2001)
100
Requiem for a Dream (2000)
Requiem for a Dream (2000)
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