The manipulation and subversion of time and space create a sense of detachment that makes the film look inhuman, like an alien object, something that is to be perceived as distant and different when it is in fact a pure river of cinematic intuition, a flow of life in images, confusing in its otherness.
The creation of an inhuman perspective is also a very effective way of dealing with transcendent subjects that escape the human perception and need a great deal of abstractions and philosophical detachment to be faced, like the notions of memory and time, what it means to be human, otherness, subconscious, nonsense, divinity, and the structure of reality itself.
Ten films, ten explorations, ten daring experiments, ten interstellar objects that are not from this planet, an alien consciousness.
